Interview With Milan Festival 08 Programmer

The Milano International Film Festival kicks off in a few weeks… so I thought it might be interesting for people to see this interview, where the programmer discusses the selection for their section of “Roma” or “Gypsy” related films.

I think it’s interesting for film makers to have some understanding that a programmer is making choices based on more than just whether a film is good or not… there are other criteria. Read more

1200fps at Micro-Budget Prices

Just three weeks ago I was having a conversation with James McAleer, our resident expert on cinematography, where I was predicting the evolution of HD technology into high spec SLR stills cameras… and guess what, it’s already happened and in a way that’s both astounding and affordable. That’s how cool we are at $1000, we can often predict stuff that’s already happened! LOL

Basically, Casio have just released a $900 35mm SLR, the Casio Exilim Pro EX-F1, which will shoot short bursts of JPEG images at 60fps… and MPEG4 HD at 1200fps… no, I didn’t mistype that, they really do have an off the shelf camera that will shoot a genuine ONE THOUSAND TWO HUNDRED FRAMES PER SECOND! Yikes! Read more

3 Common Film Script Errors

There is a common belief in the wider film community that micro-budget films will automatically have bad scripts. The thinking behind this is that a film is only being made on a micro-budget because it couldn’t attract “real” funding or a “real” producer. This attitude is actually bullshit because there are a thousand good reasons for making and controlling your film instead of putting energy into chasing funding… some of which we’ve talked about before, so let’s take that as a given.

However, across the scene there is some truth in the belief that micro-budget films have bad scripts… simply because far too many micro-budget film makers see self production as a method to green-light scripts that aren’t good enough to survive in the market.

However, there doesn’t have to be a link between micro-budget and bad scripts… at the end of the day it’s our decision… we can either stroke our own egos and make bad films or we can start taking both ourselves and micro-budget seriously and sharpen our scripts. Read more

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